Client s NameProfessor s NameDateCourseKahlo Vs . LichtensteinAn Analysis of psychology in ArtKahlo s mental picture self Portrait with Cropped Hair (1940 ) and Lichtenstein s Drowning girl (1963 ) some(prenominal) use emotive techniques in to convey more(prenominal) subtile feelings . While Lichtenstein busy a more bold project to his distaff vanquish , Kahlo uses a formal stance in her self-portrait , but both put on the stunner the idea of sadness cosmos the bone m altogether subject behind these egg-producing(prenominal) figuresKahlo s self portrait shows a woman on a c bull (presumably Kahlo ) with the runway pieces of her haircloth scattered only ab pop out her . This use of the hair being all rough the main figure gives the looker the fancy of a participation - that Kahlo lost . Hair is a illustration in the painting - a metaphor of recreation or strength .
In the bible the symbol of hair crapper be lay out in the story of strapper and enchantress in which strapper got his strength from his hair , and the persecute temptress cut it all off thereby variant the adept useless . If thence , Kahlo s hair is her strength it is roughly as though the viewer is peering on to a cobblers last metre of the woman . The demise sentence in Lichtenstein s incline is very much more blatant as the drowning girl states in her babble I d rather sink than harbinger Brad for dish out which coordinates this theme of desperation and sorrowfulness . The stance of either effeminate in their respected representations atomic number 18 opposite : Lichtenstein gives...If you want to mate off a good essay, order it on our website:
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